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  5. Ilford FP4 100 135.36 black and white negative

Ilford FP4 100 135.36 black and white negative

FP4 is like Casablanca, a classic black and white film. There are very few competitors in its category. Its graininess is extremely fine, and its line sharpness is amazing even on cubes made with otherwise wilting lenses. If you need to portray fine detail, this is the raw material you won’t be disappointed with. It is very permissive, whether it is accidental clumsiness or intentional exposure, it tolerates under- or over-calling well, it does not punish unnecessarily. In terms of use, it is even difficult to list what is suitable for everything: portraiture, avedone fashion material, building photography, or an ideal choice for landscapes. Isn't that what you're looking for? Take a look around our Ilford movies! Short film size 36 exposures ISO 125 Call black and white

4200Ft 
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The total cost of delivery for up to 5 films is HUF 1,390.

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Agfa APX 400 135.36 black and white negative

3390Ft

If we believe the ISO 400 label on the box, we won’t believe our eyes when we see a movie shot up to ISO 1600 after development. The APX 400 can withstand this level of pushing without losing quality. When hearing the lab employee performing the pushing and the patinated Agfa-Gevaert brand, it's hard to miss the lab-collaborator joke. An excellent companion in low light or short shutter speeds. Short film size 36 exposures ISO 400 Call FF

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Agfa APX 100 135.36 black and white negative

3390Ft

Low-sensitivity black-and-white raw material, designed almost for building or landscape photography. We don’t have to be afraid in the shady parts either, it plays with detailed, beautiful tones. Last but not least, it is also suitable for 2 unit push or pull calls. Agfa has been producing black and white negatives since 1964, we can trust them. Short film size 36 exposures ISO 100 Call FF

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Ilford PAN 400 135.36 black and white negative

3790Ft

The movie with the box sticking to it has pink letters on a black background, what else? PAN advertises the inscription, i.e., panchromatic sensitization, i.e., it perceives all visible colors equally, as opposed to orthochromatic. The manufacturer promises perfect contrast and excellent line sharpness associated with fine grain, even in challenging lighting conditions. In reality, the fine grain is questionable, but it can also be an advantage, as there are those in the Kodak TX 400 who are looking for this slightly dirty grain. Rumor has it that this film is identical to the old Ilford HP5, which was manufactured from 1976 to 1989, when it was replaced by the Ilford HP5 Plus. A former worker, on the other hand, claimed that this was actually the HP5 Plus, with only the parts from the edges of the casting being boxed under the name Pan400, and the middle, where the casting quality is perfect, being placed in HP5 Plus boxes. We know such a legend from elsewhere: at VW, the engines that perform a little worse on the test bench end up in Skodas, the one better ones get Seatos and only the top quality goes to Volkswagen. Of course, obviously. Part of the Ilford mystery is the fact that the PAN 400 isn’t marketed everywhere, we’re lucky. In the UK and US, for example, it is not available. Isn't that what you're looking for? Take a look around our Ilford movies! Short film size 36 exposures ISO 400 Call FF